The Birdcage Archives

Tuesday, 10 April 2018

Horace Engdahl Speaks Out


Hello Gentle Reader

As previously mentioned now on a few different occasions, the Swedish Academy is emblazed in a public crisis, with regards to one of its members (Katarina Frostenson), who may have used her position on the Swedish Academy to lobby for financial assistance from the academy for her husband’s artistic club the Forum, as well as leaked information about who the new winners for the Nobel Prize would be. Frostenson’s husband Jean-Claude Arnault has been accused by eighteen women of sexual assault, harassment, and misconduct. Recently the academy held a vote on whether or not to exclude (or rather expel) Katarina Frostenson from the Swedish Academy and its dealings. The votes were cast, and Frostenson was permitted to retain her seat on the academy, which saw the public resignations of three academy members in protest, and the possibility of forth still to come.

For more detail and further information please see the previous two posts:



Horace Engdahl is a somewhat mercurial figure. He can be a literary curmudgeon who scoffs, sneers, and derides the current way literature is being upheld as anything important in society. He often vents these vexations publicly, and often stirs great controversy when doing so. Who could forget his remarks ten years ago, when he called American literature: “ignorant and insular,” and that America could not “challenge Europe as the center of the literary world,” and gave the most scathing remark yet: “they don't translate enough and don't really participate in the big dialogue of literature ...That ignorance is restraining.” On these grounds, I agree with the former Permanent Secretary of the Swedish Academy. His criticisms were justified, the lack of translation is appalling (though steps have been made), and its true American and dare I say English (or British) writers/readers in general, are rather self-proclaiming as the masters of literature; where in reality they are most likely overtly hyped and a bit pompous and boring. On these grounds, I often find myself on the side of Horace Engdahl, mainly because I too like to consider myself a dry curmudgeon who can’t stand the state that the literary world is in.


Often on the contrary though, Horace Engdahl can be a bit to open about his criticisms, and in these moments appear to be self-serving some ulterior agenda. In a recent open letter to the Swedish newspaper Expressen, the former Permanent Secretary unleashes his uncontrolled bile, vitriol, and condemnation towards his three former colleagues and members of the Swedish Academy, as well as the current Permanent Secretary of the Swedish Academy.

Horace Engdahl begins his letter by going over the first time a similar crisis had taken place; back in nineteen-eighty nine, when Ayatollah Khomein issued a fatwa (death sentence) against Salman Rushdie for his controversial novel “The Satanic Verses.” At the time writers, governments, writers organizations and movement, cultural institutions, governments and the public themselves, all condemned the barbaric order, and protected or sought to protect Salman Rushdie (literally and figuratively). The Swedish Academy, however, at the time decided to remain silent, a fact that did not bode well for certain members. Kerstin Ekman, and the late Lars Gyllensten, and the late Werner Aspenström—all resigned in protest. Engdahl criticizes this move, which he calls: “abandoning their duty to the academy and its community, only to fling themselves into the arms of the media, and claim moral superiority.” Engdahl goes on to state; this move damaged the Academy’s reputation and severely upended the work of the Academy, as their seats have sat vacant for many years— Kerstin Ekman’s still does.

Horace Engdahl then changes his attention towards the current situation. Though he admits what happened in nineteen-eighty nine had the airs of ‘tragic dignity,’—he calls the current situation an abhorrent state of affairs, being brought on by a group and I quote ‘losers,’ who have chosen to resign (though not give up their seat (?)) and have broken the statues of confidentiality by bringing the public into the matter, seeking them to join the argument to oust Katarina Frostenson, by publicly resigning. Horace Engdahl eludes that is far more serious than any Nobel Prize leak a few days before announcement.  

Moving on Horace Engdahl believes the manipulator, causing this desperate power struggle is: Sara Danius, the current Permanent Secretary of the Swedish Academy; who he criticizes as being unable to take control of the situation and get a firm handle on the catastrophic events which are currently taking place. He has stated that Sara Danius has voiced her own opinion(s) as that of the perception of the Swedish Academy, who eluded that her opinions and the decision by the academy are one in the same. He has stated she has not been able to maintain a spirit of community or co-operation within the academy, nor has she moved between camps within the academy; in fact (or so Engdahl would lead us to believe) Sara Danius is only interested in maintaining her own position within the academy; and that a divide within the academy causing these leaks to the media about its internal struggles, rests solely on the hands of Sara Danius, who has been incapable of maintaining control and decorum within its walls. Horace Engdahl concludes that in its 232 years of being an institution of importance, Sara Danius has been the worst Permanent Secretary of the Swedish Academy.

I am left to wonder what Horace Engdahl had hoped to prove or otherwise achieve with this letter. If it was to pour more petrol and gas on the fire then bravo, truly bravo, your operatic statements of discontent are well noted and cannot be ignored—it’s a standing ovation. If it were to somehow defend the honour (or what little is left) Katarina Frostenson, then he failed. In the end all Horace Engdahl ended up doing was rattling the cage and stirring the fire even more. Throwing Sara Danius under the bus was both rude and unprofessional in my opinion, and does not further the Swedish Academy’s cause, it merely tarnishes its reputation further.

Thank-you For Reading Gentle Reader
Take Care
And As Always
Stay Well Read

M. Mary



To Read Horace Engdahl's letter please see the following link: 



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