The Birdcage Archives

Friday, 1 January 2016

Welcome to 2016

Hello Gentle Reader

In two-thousand and fifteen, we had visited a city, which had been built on both stones and dreams; and often in haste. Beneath the stones of its apartments, the glass and steel of its skyscrapers the river of oblivion circled, slowly eroding the fragility of the city – which is comparable to a tree – both the tree of the earth and sky; and the subterranean one, which is hidden from plain sight. We toured a brightly lit Bucharest in both its dreams and nightmares. We heard its stories, and listened about all its inhabitants.  We observed the fragility of order and commonplace structure, and how quickly it is abruptly changed, by a mistake or a, misshape off stage, on some other set. An unfortunate allegory which appears to parallel the news and stories of human crisis of two-thousand and fifteen. We journeyed back to the cool temperatures of the former GDR, and saw how an ideology is both maintained and propagated through the careful maintenance of both machinery and temperature. We traveled through Iceland, in brief and often odd vignette’s that were impressionistic and lingered long after they were read.  We were welcomed and observed as others confronted their pasts, their prior thoughts, and steadily held beliefs. We saw family corruption in times of political upheaval and a continual desire to always survive history – even if it meant turning on our own family. The complexities of human relationships – mother and daughter, husband and wife, brother and sister, father and son – were tested and shown to be growing in complexity as we enter an increasing connected but incommunicative age. We observed the hapless love affair of a teacher, and his desired gypsy in parochial France; and observed Saints, abbots and monks in their historical less then golden gilded age. We saw the multifaceted narrative of a narrator, understanding his place beyond the alienating confines of his village, and take particular beauty, in its language, its story telling, and its folklore. We revisited the Prague Spring, and were forced to observe the young man pouring petrol on himself, and immolating himself against the reigning ideology and political viewpoints. We found ourselves more at home on an island, then being a castaway in some metropolis jungle.

Two-thousand and fifteen was filled with great books! But it was also filled with political upheavals and attacks against human rights, and freedom of speech. Paris was struck twice. Europe found itself once again pushed to its limits of tolerance and acceptance, while attempting to manage its ever growing crisis situations.

This year’s Nobel Laureate was the Belorussian journalist and ‘human ear,’ Svetlana Alexievich had discussed in her Nobel Lecture, this year’s Laureate discussed both the horrors of history, the trials of the present, and the uncertainties of the future; but maintains: love prevails; even if it’s hard to talk about or believe in right now. Though questions do remains with this year’s Laureate, if the Swedish Academy has opened its doors up to a new definition of what is typically reserved for: prose, poetry and drama. In the end Svetlana Alexievich is a worthy candidate.

Speaking of the Swedish Academy, as mentioned before the new Permanente Secretary of the Swedish Academy is Sara Danius; this is the first time a woman has held this position within the Swedish Academy, and it will be unique to see what the future Laureates in Literature will be shaped by and what criteria their literature will need in order to receive the Nobel nod.

Two-thousand and fifteen was a good year; and a rough year. But it’s been a year like all others, and it is what we make of it. Though at times each of us are victims of our circumstances, sometimes to get through these or those dark moments, a book becomes a comforting and well deserved companion and friend.

Happy New Year Gentle Reader! And Welcome to Two-Thousand and Sixteen!

Thank-you For Reading Gentle Reader
Take Care
And As Always
Stay Well Read


M. Mary 

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