The Birdcage Archives

Wednesday, 21 May 2025

Alice Notley Dies Aged 79

Hello Gentle Reader,

Alice Notley is a poet whose name immediately elicits responses such as: difficult, challenging, uncompromising, and exacting. One might even go so far as to describe Notley as that academic poet. One whose vision is so esoteric it can only be appreciated and understood after it has been sufficiently autopsied by bespeckled professors in tweed jackets with elbow patches, who through sufficient reading and dissertations can distill the essence of the poetry into a cohesive summary with authority. In her early career, Alice Notley was lumped together with the Second Generation of the New York School of Poetry, famous for being the antithesis of the Confessional Poets. Their poetry was concerned with looking towards external stimuli rather then inwards, and their style was marked for its more cosmopolitan flare. Notley refuted being classified neatly with this chronological time stamp, and her poetry expanded far beyond the limitations of being considered a poet of the Second Generation of the New York School of Poetry. As a poet, Alice Notley is admired for her continued change of form. No two collections are alike. There is always a sense of seeking a new beginning. Notley’s poetic and thematic range moved form discussions of and tropes of popular culture, to scenes of the everyday, to ruminations on literature philosophical matters. In the later periods of her work, Alice Notley’s poetry collections became elaborate pieces of architecture, moving away from the poems being singular constructs wrangled into collection, and instead poetry collections became unified as a whole, devoted to a particular subject or engrossed in a specific form. “The Descent of Alette,” is considered a landmark piece of text, showcasing Notley’s poetic evolution. “The Descent of Alette,” is a single epic poem framed as a feminist critique of the epic poetry genre and tradition. As the panoramic new and selected poetry collection “Grave of Light,” provides the most adequate summarization of Notley’s bibliography “[. . .] work that includes intimate lyrics, experimental diaries, traditional genres, the postmodern series, the newly invented epic, political observation and invective, and the poem as novel,” which only shows just the breadth in which Notley wrote and her continued innovate approach to expanding and exploring the possibilities of poetry. It comes as no surprise to readers and lovers of poetry, why Alice Notley was often considered one of the greatest writers of the form.

Rest in Peace Alice Notley.

Thank you For Reading Gentle Reader
Take Care
And As Always
Stay Well Read
 
M. Mary

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